“Evita”

Susan Granger’s review of “Evita” (ACT of Connecticut)

 

Located in the heart of Ridgefield, this new Equity regional theater – known as ACT – launched the summer with “Mamma Mia” and is now presenting a stunning revival of “Evita,” written as a ‘rock opera’ by Andrew Lloyd Webber and Tim Rice.

“Evita” chronicles the spectacular rise of calculating, ambitious Maria Eva Duarte, a small-town radio actress/social activist, who blithely seduced and bedded suitors, starting with nightclub singer Magaldi, who took her to Buenos Aires, where she met and married pompous Colonel Juan Peron, serving as First Lady/Vice-President of Argentina from 1946 to her death from cancer at age 33 in 1952.

As the first ‘glamorous’ female political celebrity of the 20th century, Eva Person ruthlessly raided Argentina’s treasury, yet endeared herself to poor, working people through her charity work. As observed by the sarcastic Everyman, named for the Marxist revolutionary Che Guevera, Eva oozes charm and “star quality.”

Originally, Elaine Page and Patti LuPone were the formidable West End and Broadway stars, popularizing “Don’t Cry for Me, Argentina,” while Madonna did the 1996 movie, introducing a new song, “You Must Love Me.”

Now, Julia Estrada tackles the demanding, difficult role – with mixed results. Her voice is occasionally shrill and she seems to lack self-awareness and humor. In short, she simply doesn’t command the stage, nor does Angel Lozada, who comes across far too insipid as cynical Che, a role originated by Mandy Patinkin and played, most recently on Broadway, by Ricky Martin.

As if to compensate, ACT’s visionary Artistic Director. Daniel C. Levine, enhances his version with awesome precision, impeccable timing and additional Latin instrumentation, assembling such a dazzling, versatile Ensemble that they’re far more riveting than the two leads.

Marlena Lopez Hilderly is poignant as Peron’s discarded mistress, lamenting “Another Suitcase in Another Hall.” Suave Julian Alvarez is memorable as Magaldi, warbling “On this Night of a Thousand Stars,” and Ryan K. Bailer gives commanding depth to Juan Peron.

The polished production is further enhanced by Jack Mehler’s scenic and lighting design, Stephen Jenssen’s sound design, Charles Sutton’s disciplined choreography (particularly with the Generals), Brenda Phelps’ costumes, Liz Printz’s hair design and music direction by Evan Roider and Bryan Perri.

“Evita” will run through November 11. Call 475-215-5433 or go to www.actofcgt.org  for tickets.

 

 

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