“Let the Right One In”

 Susan Granger’s review of “Let the Right One In” (St. Ann’s Warehouse, Brooklyn: 2014-15 season)

 

The National Theatre of Scotland has adapted the popular Swedish horror film, “Let the Right One In” (2008), transferring it to the stage of St. Ann’s Warehouse, 29 Jay Street in Brooklyn.

Combining an examination of teenage alienation with a chilling vampire fable, this thriller revolves around lonely, socially awkward Oskar (Christian Ortega) and wan, mysteriously agile, eternally adolescent Eli (Rebecca Benson).

Set near a housing project in a Stockholm suburb in the 1980s, their bleakly compassionate story begins in a wintry forest, where a serial killer, Hakan (Cliff Burnett), drains his victims’ blood into a plastic jug.  “Forgive me,” he mutters, slicing his latest prey’s throat.

Procurer/enabler Hakan and his ‘child’ Eli have just moved next door to Oskar and his embittered, alcoholic single mom (Susan Vidler). While creepy Eli is obviously a vampire, she shuns that label, saying, “I’m not that. I choose not to be that…so I am not that.”

Yet, when meek Oskar is abused in the school’s locker room by a sadistic bullies led by cocky Micke (Andrew Fraser), feral Eli uses her supernatural powers to come to his rescue, resulting in bloody carnage.

Rebecca Benson’s performance is remarkable, using her voice to alternate between innocent, childlike sincerity and weary, ancient wisdom.

Originally based on John Alvide Lindqvist’s 2004 novel and screenplay of the same name (remade in English as “Let Me In”), it’s been adroitly adjusted for the stage by Jack Thorne and stylishly directed by collaborators John Tiffany and Steven Hoggett (“Once,” “The Glass Menagerie”).

Christine Jones’s icily sparse “Scotlandavia” production design sets the haunting atmosphere, as does Olafur Arnalds’ cello-laden musical score, Gareth Fry’s sound design, Chahine Yavroyan’s phosphorescent lighting and Jeremy Chernick’s special effects.

Running 140 minutes with one intermission, the miraculously effective “Let the Right One In” has been extended through March 8.

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